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Michael Gray, an authority on historical recordings who wrote the Living Stereo liner notes for Sony, believes that Chicago’s recordings on the imprint were the most successful of any orchestra, due in part to the acoustic of Orchestra Hall at the time. In 1960, Jay Friedman played fourth trombone on this recording of Respighi’s The Pines of Rome. “That is the only splice in the whole performance, which is an ecstatic one,” Peck said. Mohr didn’t want to embarrass the musician but Reiner would agree to redo the eight measures only after listening to the playback to identify the problem.
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In fact, “it wasn’t a car horn but a cracked note from one of the French horn players that was at fault,” Peck wrote. In a 1962 session for Strauss’ Don Juan, Mohr paused to ask Reiner to re-record a short passage, claiming that an outside car horn had bled onto the tape. In his autobiography, The Right Place, The Right Time!, former CSO Principal Flute Donald Peck describes the occasional push and pull between Reiner and RCA’s team, led by producer Richard Mohr and engineer Lewis Layton. This permitted long takes that would give the feel of a live performance (the finale of Rimsky-Korsakov’s Sheherazade was notably recorded in a single take without edits). “Reiner selected key passages, had them taped and then checked the balance on the playbacks to ensure that a fine recording was made.”Īnother Reiner strategy was to record pieces after they were thoroughly rehearsed for subscription concerts. As historian Kenneth Morgan writes in his program notes for RCA’s complete Reiner set, released in 2013. Two years before joining the CSO, Friedman was hired to play fourth trombone on a session for Respighi’s Pines of Rome, which was especially difficult to record because of its wide dynamic range. There was never any muddiness in his music-making.” “The thing with Reiner is, maybe the fear factor came into play, but the sound was always very transparent when he conducted. “There was a certain amount of fear inherent in the job,” he said with a chuckle. “He had a very good orchestra, and he knew it.”įriedman believes Reiner’s exacting musicianship aligned with the sonic requirements of early stereo. “The orchestra was great at that time,” recalled Friedman, who joined the CSO during Reiner’s final year as music director. | ©Todd RosenbergĬSO Principal Trombone Jay Friedman recalls that before he joined the orchestra in 1962, he “wore down the grooves” on several RCA LPs, including a collection of Richard Strauss opera scenes, conducted by the CSO’s legendary sixth music director, Fritz Reiner. Jay Friedman, who joined the CSO in 1962, recalls that “you could hear every voice clearly” in a Reiner disc. The streams complement the 60-disc “Living Stereo: The Remastered Collector’s Edition Box Set,” released in late 2016.
#Rca victor radio 1960 series
This past spring, Sony Classical (which now controls the RCA Victor catalog) marked the imprint’s 60th anniversary with a series of playlists - Living Stereo Spectaculars, Living Stereo Top 50, and Living Stereo Deep Cuts - on streaming platforms, including Spotify and Apple Music. Living Stereo capitalized on advancements in stereo disc cutters, which revolutionized vinyl production, and playback equipment, ushering in a golden age of home hi-fi systems. If the depth and clarity of stereo sound didn’t yet lure classical music lovers, the fantastical cover art may have drawn their attention. The series was to be a showcase for the era’s classical stars: Van Cliburn and Arthur Rubinstein, Jascha Heifetz and Gregor Piatigorsky, Jussi Björling and Leontyne Price.
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Everyone seemed genuinely excited to be getting something completely new in town.ĭo you have a favorite Polish dish? Pierogi? Halushki?Īs soon as I find out anymore information, I'll pass it along.In 1958, when the first stereo recordings were hitting the market, RCA Victor signed the Chicago Symphony Orchestra to its newest, most prestigious imprint, Living Stereo. The Lawrence Township Community Facebook page was buzzing about the future addition to town. I'm a bit Polish and so is my husband, so we're looking forward to trying it. Island Sports Bar & Grill opened for a few months, but, has already closed down permanently.Ī Polish restaurant is a good choice for Lawrence Township, as it has a large Polish population. Lidl, Auto Zone, Five Below, Dollar Tree, Plato's Closet, Bury the Hatchet ax throwing, Heavenly Hounds Dog Training, Café Du Pain Bakery, and more have joined the center. It's great to see that strip mall bustling again. The Lawrence Shopping Center has undergone a complete renovation and is welcoming new tenants. Hopefully, it won't be too long before it opens. There doesn't seem to be any work going on in the building yet.
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I just saw the sign when I was driving by.